Native Seminar
Course DescriptionNAS 3693-Sec. 900
ARTC 4693-Sec. 900
ARTC 5013-Sec. 900
Contemporary Artist Seminar on Native Art From
North America, Canada and Latin America
The seminar course is an upper division undergraduate discussion course.
The aim of the course is to facilitate the student to share the broad and modern sensibilities that exist and make up the contemporary diversity of the indigenous arts and people of this hemisphere.
In todays art world it is clear that the impetus to create important native work is often found in the artists own personal, cultural and political references. Therefore the seminar shall present artwork that deals with issues of race, class, gender and tribal sovereignty as well as formalist modes.
An additional objective of the seminar shall be to introduce the student to a survey of common methods of contemporary artistic practice. These notions examine the trends inherent in present day art and are not bound by racial associations.
The seminar objectives are met through a five-part process:
1. Participants in the class view video-taped (30-60 min.) interviews of professional contemporary artists discussing the conceptual basis of ideas which generate their work. There will be two artist videos viewed during each class meeting.
2. Before viewing the video on the artists a critical essay or writing by the artist is read. This written piece often challenges the artists ideas and deepens the understanding so that the class is more familiar with the artists work. The class participants shall also review recent catalogues which offer an updated view of the artists ideas. A slide talk may also be presented in order to supplement the video tape.
3. After the video presentation a discussion is shared within the class. This session often adds clarity to the video and also allows the class participants to take issue with the ideas and viewpoints expressed in the video. The seminar grade is based in part upon each participant taking part in discussions. Class participants must join in with each discussion.
4. To allow the class to further resolve their opinions on the artwork and ideas presented, a 500-word (minimum) typed paper is written each week. In this paper the student offers his or her reactions to the video program and or the class discussion. Each paper will be due one week after the video is screened. No late papers will be accepted! Each missing paper will lower the final grade by one letter. At the conclusion of the seminar students will be responsible for a 2500-word typed paper that examines a living native artist and his or her work. An outline for the term paper will be due at mid-term as a major part of the mid-term grade. As an important compliment to the research paper the student shall also include extensive bibliographic resources and photo-copied articles which concern the artist. The term paper must list 6 sources and only 2 may be Internet related.
5. A two to three sentence description will be researched, produced and handed in concerning each individual artist listed in the class syllabus on Wednesday, August 30, 2000.
Seminar Artists to be Presented
NAS 3693-Sec.900/ART 4910-Sec.900
1. Allan Houser
2. Edward Poitras-The Artists profile as the Canadian representative to the Venice Biennale
3. James Luna
4. Jaune Quick-To-See-Smith
5. Jimmie Durham
6. 16 Songs-Native American and Aboriginal Australian collaborative project in Sydney and Adelaide, Australia and Oklahoma.
7. Jean Lamar
8. Frida Khalo
9. David Avalos
10. Charlene Teters
11. Hachivi Edgar Heap of Birds
12. Kay Walkingstick
13. Diego Rivera
14. Such a Red Day-Contemporary Native Artists of New Mexico and Oklahoma
15. Jim Northrup
16. Guillermo Gomez Pena
17. Rebecca Belmore
18. T.C. Cannon
19. Hulleah Tsinhnahijinne and Native Television
20. Richard Ray Whitman
21. Luis Cruz Azaceta
22. Jonas Dos Santo
23. Ana Mendieta
24. Juan Sanchez
25. Couple in a Cage-Coco Fusco
26. Judy Bacca
27. Shelly Niro
28. SpiderWoman Theatre
29. Jolene Rickard
30. Michael MacDonald
31. Doreen Jemisen
32. Jane Ash Poitras
33. Rena Point Bolton
34. Joane Cardianl Schubert
35. Clay People-Wheelwright Museum
36. Daughters of Ixche-Women Artists of Guatemala
37. Harry Fonseca
38. Siqueiros-Artist and Warrior
39. The Legacy of Generations, Pottery by American Indian Women
40. Woven by the Grandmothers, 19th Century Navajo Textiles
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